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\documentclass[a4paper]{article}
% \documentstyle[musictex,musicper,psfig,bezier]{esub2acm}
\usepackage{graphicx}
\usepackage{subfigure}
\usepackage{musixtex}
\input{musixcho.tex}
\input{musixper.tex}
\input{musixmad.tex}
\input{musixgrp.tex} % locally developed
\input{musixccl.tex} % locally developed
\usepackage{verbatim}
% \usepackage{musictex,musicper,psfig,bezier}
% \usepackage{doublespace}
\usepackage{color}
\usepackage{hyperref}
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\pagestyle{empty}
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% \setlength{\evensidemargin}{1cm}
% \setlength{\headheight}{1cm}
\input{GamelanSettings.tex}
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%%% Compressed EPS inclusion
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\DeclareGraphicsRule{.eps.gz}{eps}{.eps.bb}{`gzip -d -c #1}
\newcommand{\pschar}[1]{\includegraphics[height=1em]{ps/#1.eps.gz}}
% \newcommand{\pschar}[1]{\fbox{#1}}
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%%% List environemnt spacing fine-tuning
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% \newcommand{\sepx}[1]
% {
% \setlength{\topsep}{0pt}
% \setlength{\parsep}{0pt}
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% \setlength{\itemsep}{#1 em}
% }
% \newcommand{\sepone}{\sepx{1}}
% \newcommand{\email}[1]{{\tt #1}}
% \newcommand{\note}[1]{\marginpar{\begin{tiny}#1\end{tiny}}}
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%%% Subfigure environment spacing fine-tuning
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\renewcommand{\subfigtopskip}{0.5ex}
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\newcommand{\glo}[1]{#1} % verbatim
% \newcommand{\glo}[1]{\textbf{#1}} disabled
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%%% Tigher spacing for choir lyrics
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% \def\ChoirStrut{\vphantom{012}}
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%%% Custom environments and dimensions
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\newcommand{\fhalf}{0.48}
\newcommand{\fthird}{0.30}
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%%% Including Chinese name the easy way
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\newsavebox{\ChineseName}
\savebox{\ChineseName}{\raisebox{-0.1em}{\pschar{ycl}}}
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%%% Document-specific macro definitions
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\newcommand{\mymusicsize}{\normalmusicsize}
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% Lazy; four backskips
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\newcommand\bfour{\bsk\bsk\bsk\bsk}
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\begin{document}
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\MusicTitle{Gilak Topeng}
{
% Copyright 1999--2000 \href{http://www.hku.hk/music/}{Department of Music},
\href{http://www.hku.hk/music/}{Department of Music},
\href{http://www.hku.hk/}{The University of Hong Kong}\\
Version 4.0 typeset on \today
}
\newcommand{\KendangLabel}{Kendang: \hfill $\hbox{Right hand} \atop \hbox{Left hand}$~}
\newlength{\KendangLabelWidth}
\settowidth{\KendangLabelWidth}{\KendangLabel}
\noindent\hspace*{-\KendangLabelWidth}
\begin{music}
\setlength{\parindent}{\KendangLabelWidth}
\setlength{\afterruleskip}{0ex}
\setlength{\beforeruleskip}{0ex}
\mymusicsize
\instrumentnumber{11}
\generalsignature{3}
\generalmeter{\empty}%
\grouptop{1}{11}
\groupbottom{1}{10}
\grouptop{2}{9}
\groupbottom{2}{7}
\grouptop{3}{6}
\groupbottom{3}{5}
\grouptop{4}{4}
\groupbottom{4}{3}
\grouptop{5}{2}
\groupbottom{5}{2}
\setclef{11}{0} % \treble doesn't work
\setclef{10}{0}
\setclef{9}{\bass}
\setclef{8}{\bass}
\setclef{7}{\bass}
\setclef{6}{\bass}
\setclef{5}{\bass}
\setclefsymbol{4}{\drumclef}
\setclefsymbol{3}{\drumclef}
\setclefsymbol{2}{\drumclef}
\setclefsymbol{1}{\empty}
\setsign{4}{0}
\setsign{3}{0}
\setsign{2}{0}
\setsign{1}{0}
\setname{11}{Kotekan: \hfill Sangsih~}
\setname{10}{Kotekan: \hfill Polos~}
\setname{9}{Melody: \hfill Gangsa~}
\setname{8}{\hfill Jublag~}
\setname{7}{\hfill Jegog~}
\setname{6}{Gongs: \hfill Kempur~}
\setname{5}{Gongs: \hfill Gong~}
\setname{4}{\hfill Kempli~}
\setname{3}{\hfill Cengceng~}
\setname{2}{\hfill \KendangLabel}
\setname{1}{\hfill Counting~}
\setlines{4}{1}
\setlines{3}{1}
\setlines{2}{1}
\setlines{1}{0}
\setinterinstrument{9}{3\Interligne}
\setinterinstrument{6}{3\Interligne}
\setinterinstrument{4}{3\Interligne}
\setinterinstrument{2}{3\Interligne}
% \sepbarrules
\nobarnumbers
\startextract
% \startpiece
%%%
%%% Beat 1
%%%
\notes%
\raise2\Interligne\hbox{1}\bsk&%
\ibbu0{j}0\qb0{jhj}\tbbu0\tbu0\qb0{j}\bsk\bsk\bsk\bsk\bsk\bsk&%
\ibbu0{i}0\xqb0{ii}\lsf{i}\xqb0{i}\tbbu0\tbu0\xqb0{i}\bsk\bsk\bsk\bsk\bsk\bsk&%
\qu{i}\bsk\bsk\bsk&%
\bsk\bsk\islurd0{B}\sk\sk\tslur0{D}\hup{D}\bsk\bsk\bsk&%
\pause\bsk\bsk\bsk&%
\bsk\bsk\islurd0{C}\sk\sk\tslur0{G}\hup{G}\bsk\bsk\bsk&%
\bsk\bsk\isluru0{d}\sk\sk\tslur0{N}\ql{N}\bsk\bsk\bsk&%
\ql{c}\bsk\bsk&%
\cClXXxX{k}{0}{k}{l}{k}\bfour&%
\cClxXXx{n}{1}{n}{o}&%
\enotes%
%%%
%%% Beat 2
%%%
\notes%
\raise2\Interligne\hbox{2}\bsk&%
\ibbu0{j}0\qb0{h}\tbbu0\raise\Interligne\hbox{\musixchar117}\qb0{j}\qs\tbbu0\tbu0\qb0{j}\bsk\bsk\bsk\bsk&%
\ibbu0{i}0\xqb0{ii}\lsf{i}\xqb0{i}\tbbu0\tbu0\xqb0{i}\bsk\bsk\bsk\bsk\bsk\bsk&%
\qu{i}\bsk&%
&%
&%
&%
\hl{a}\bsk&%
\ql{a}\bsk&%
\cClxXXx{k}{0}{l}{k}\bfour&%
\cClXXxX{n}{1}{o}{n}{o}&%
\enotes%
%%%
%%% Beat 3
%%%
\notes%
\raise2\Interligne\hbox{3}\bsk&%
\ibbu0{j}0\qb0{hjj}\tbbu0\tbu0\qb0{h}\bsk\bsk\bsk\bsk&%
\ibbu0{i}0\xqb0{ii}\lsf{i}\xqb0{i}\tbbu0\tbu0\xqb0{i}\bsk\bsk\bsk\bsk\bsk\bsk&%
\qu{i}\bsk&%
&%
&%
&%
&%
\ql{d}\bsk&%
\cClXXXx{k}{0}{l}{k}{l}\bfour&%
\cClXxXX{n}{1}{n}{n}{o}&%
\enotes%
%%%
%%% Beat 4
%%%
\notes%
\raise2\Interligne\hbox{4}\bsk&%
\ibbu0{j}0\qb0{jhj}\tbbu0\tbu0\qb0{h}\bsk\bsk\bsk\bsk&%
\ibbu0{i}0\xqb0{ii}\lsf{i}\xqb0{i}\tbbu0\tbu0\xqb0{i}\bsk\bsk\bsk\bsk\bsk\bsk&%
\qu{i}\bsk&%
\wh{D}\bsk&%
&%
\wh{J}\bsk&%
\hl{c}\bsk&%
\ql{c}\bsk&%
\cClXXXx{k}{0}{k}{l}{k}\bfour&%
\cClxXxX{n}{1}{n}{o}&%
\enotes%
%%%
%%% Beat 5
%%%
\notes%
\raise2\Interligne\hbox{5}\bsk&%
\ibbu0{j}0\qb0{jhj}\tbbu0\tbu0\qb0{j}\bsk\bsk\bsk\bsk&%
\ibbu0{i}0\xqb0{ii}\lsf{i}\xqb0{i}\tbbu0\tbu0\xqb0{i}\bsk\bsk\bsk\bsk\bsk\bsk&%
\qu{i}\bsk&%
&%
\hu{H}\bsk&%
&%
&%
\ql{d}\bsk&%
\cClXXxX{k}{0}{l}{k}{l}\bfour&%
\cClXxXX{n}{1}{n}{o}{n}&%
\enotes%
%%%
%%% Beat 6
%%%
\notes%
\raise2\Interligne\hbox{6}\bsk&%
\ibbu0{j}0\qb0{h}\tbbu0\raise\Interligne\hbox{\musixchar117}\qb0{j}\qs\tbbu0\tbu0\qb0{j}\bsk\bsk\bsk\bsk&%
\ibbu0{i}0\xqb0{ii}\lsf{i}\xqb0{i}\tbbu0\tbu0\xqb0{i}\bsk\bsk\bsk\bsk\bsk\bsk&%
\qu{i}\bsk&%
&%
&%
&%
\hl{a}\bsk&%
\ql{a}\bsk&%
\cClXxXX{k}{0}{k}{l}{k}\bfour&%
\cClxXXx{n}{1}{o}{n}&%
\enotes%
%%%
%%% Beat 7
%%%
\notes%
\raise2\Interligne\hbox{7}\bsk&%
\ibbu0{j}0\qb0{hjj}\tbbu0\tbu0\qb0{h}\bsk\bsk\bsk\bsk&%
\ibbu0{i}0\xqb0{ii}\lsf{i}\xqb0{i}\tbbu0\tbu0\xqb0{i}\bsk\bsk\bsk\bsk\bsk\bsk&%
\qu{i}\bsk&%
&%
\qu{H}&%
&%
&%
\ql{c}\bsk&%
\cClxXXx{k}{0}{l}{k}\bfour&%
\cClXXxX{n}{1}{o}{n}{o}&%
\enotes%
%%%
%%% Beat 8
%%%
\notes%
\raise2\Interligne\hbox{8}\bsk&%
\ibbu0{j}0\qb0{jhj}\tbbu0\tbu0\qb0{h}\bsk\bsk\bsk\bsk&%
\ibbu0{i}0\xqb0{ii}\lsf{i}\xqb0{i}\tbbu0\tbu0\xqb0{i}\bsk\bsk\bsk\bsk\bsk\bsk&%
\qu{i}\bsk&%
\islurd0{D}\qu{D}\sk\sk\tslur0{B}\bsk\bsk\bsk&%
\qp&%
\islurd0{G}\qu{G}\sk\sk\tslur0{C}\bsk\bsk\bsk&%
\isluru0{N}\ql{N}\sk\sk\tslur0{d}\bsk\bsk\bsk&%
\ql{N}\bsk&%
\cClXxXx{k}{0}{l}{l}\bfour&%
\cClXxXX{n}{1}{n}{n}{o}&%
\enotes%
%%%
%%% Repeat signs
%%%
\setrightrepeat
% \endpiece
\endextract
\end{music}
\vspace*{5em}
\noindent
\begin{tabular}{r@{~}r@{~}l}
Kendang: & Right hand -- & with mallet \\
& Left hand -- & normal \\
& \raisebox{0.5ex}{\musixchar117}~~~-- & dead stroke \\
\end{tabular}
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%\bibliographystyle{plain}
%\bibliography{references,hkucs,score,hyperlink,dictionary}
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\end{document}
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